‘I’ve waited my entire life for media that accurately represents me and all of my identities, with dignity and authenticity. It never came. So we decided to make it ourselves.’
Read More‘Asian-Australians are a community and identity with a history unto ourselves, and screw anyone who challenges us on it.’
Read More‘People want to laugh as well as learn more about themselves. It’s the comedy of curiosity.’
Read More‘First and foremost, I bring my cultural contexts to my work. That’s why I put my cultural and religious identities in my biography, even though this may be seen as crass or too pointed.’
Read More‘I've seen a big shift in the way that people book female, gender-diverse and POC artists over the past few years in Sydney.’
Read More‘The cultural criticism I enjoy writing the most originates with a question or a concern that I’m unable to resolve.’
Read More‘When you make social or political work, you do it with the hope that it might contribute to changing the world in some small way, and so you are building the future.’
Read More‘I’ve come to appreciate that history and our collective capacities are as important as one’s own capacity.’
Read MoreI really do believe in art as a refuge.
Read MoreLooking back, I guess there is something endearing about being able to hear the imperfections that are derived from human performance.
Read MoreSurviving as artists in capitalist, patriarchal, White Supremacy is made deliberately hard. Sometimes, the fact that you have lived another day is an achievement in itself.
Read More‘Allowing my multi-disciplinary training to flow through me during the process but selecting what I wish to say with clarity has taken me many years of trial and error.’
Read More‘Growing up here in Australia as a person of colour, with both an African and Asian identity, I felt that no one understood my experience.’
Read More‘I have found stories and artefacts that have made a huge impression on me and changed my interpretations of history, but these pieces are always in fragments with uncertain degrees of ‘truth’ at their core.’
Read More‘It’s only been over the past couple of years that I’ve realised how white the radio landscape in Australia is.’
Read More‘A text speaks from a position of power, therefore reading representations based on assumptions and stereotypes are disempowering and upsetting.’
Read More‘Migration is seen as a non-asset or a burden. Yet if you think about it, people have come from all over the world and have contributed to who we are today.’
Read More‘There’s going to be a gap between your work and what you want your work to be: that’s fine, that’s how it should be. No one starts off at the top of their game.’
Read More‘You do what you can with what you have. But I think that if I had seen myself or someone who looked like me in any of these stories, it would have made such a difference in what I believed was out there for me.’
Read More‘Art and language are cultural products, and culture by definition is communal and cumulative—texts, too, have genealogies; they move beyond their makers.’
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