‘There’s also not much separation between my art practice and spiritual practice.’
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“After Cage anything is possible. Experimentalists like myself are the children of Cage. We have cleared the path for the next generation to find its own way.”
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An ingenious new satire from Patrick White Award-winning playwright Kim Ho, The Great Australian Play is a psychedelic romp through the myths of our glorious nation’s past, present and imagined future.
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We spoke to Hirzi Zulkiflie, a leading personality in the Singaporean LGBTQI community.
Catch him in his debut Australian appearance at Spice Night, as part of the Sydney Gay and Lesbian Mardi Gras.
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5 Questions with the producer and actor Vivian Nguyen of What Every Girl Should Know.
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Join Nicholette C as she takes you through her journey growing up Asian in Australia, currently playing as part of Perth’s Fringe World.
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We talked to Mallika Sarabhai, a storyteller, activist, and one of the most vital figures in Indian dance today.
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‘Words have the power to not only capture these stories, but to prompt reflections about the anomalies in human experiences.’
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‘To get to a certain point, a project that was really ambitious, we needed to take a pathway through different types of experimentation and testing of ideas.’
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‘I wanted to write about how we’re all complicit in capitalism - in a fun way!’
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‘Decolonising feminism examines the terrain of power relations, questioning whose voice represents the other and whose knowledge is deemed legitimate. It’s important to see this not just as a theory but a practice in everyday life.’
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‘My mum showed me the most important thing is having a heart.’
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‘We are perhaps trying to articulate a truth that is more felt than understood.’
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Priya talks to us about creative outlets, the language of Punjab, and how poetry can be woven into daily life.
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We talk with Raphael Farmer about reading, Sailor Moon, gay relationships, making connections, and writing from the heart.
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We talk with Sukhjit Kaul Khalsa about learning how to perform and her current projects.
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We talk to Liminal Fiction Prize Runner-Up Claire Cao about writing and her story, ‘See You Tomorrow’.
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We talk to Liminal Fiction Prize Winner Bryant Apolonio about his winning piece, ‘Bad Weather’.
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‘My short fiction is often driven by fury over disempowerment; a response to pain and discomfort, however temporary or permanent.’
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We talk to Anupama Pilbrow, who was successful in a curatorial takeover of the NIDA Melbourne studios for the upcoming event, NIDAnights: ITERATION with The Suburban Review.
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