First and foremost, I bring my cultural contexts to my work. That’s why I put my cultural and religious identities in my biography, even though this may be seen as crass or too pointed.
I've seen a big shift in the way that people book female, gender-diverse and POC artists over the past few years in Sydney.
The cultural criticism I enjoy writing the most originates with a question or a concern that I’m unable to resolve.
When you make social or political work, you do it with the hope that it might contribute to changing the world in some small way, and so you are building the future.
I’ve come to appreciate that history and our collective capacities are as important as one’s own capacity.
Mekong Delta Blues is a nostalgic, intimate peek into the experience of reconnecting with one’s culture.
welcome to boundless, a space to unfurl and extend every curl, shade, shape and thought you have been trained to keep in tidy segregated spaces.
We talk to Anupama Pilbrow, who was successful in a curatorial takeover of the NIDA Melbourne studios for the upcoming event, NIDAnights: ITERATION with The Suburban Review.
We talked to Giselle Au-Nhien Nguyen, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
We talked to Lian Low, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
Sumarlinah Raden Winoto reviews Krishna Istha’s Beast, now showing at Arts House as part of Midsumma Festival 2019.
Mapping Melbourne is our very favourite time of year! We’ve picked out our top ten events for you.
We’ve put together a quick list of must-see’s for this year’s MWF so you don’t have to sweat the details for your next night out.
Leah Jing & Rachel Ang have come together to bring you Comic Sans, a serialised collection of the best Australian comics artists working today.
