‘When you go to the Blue Mountains and you see that one Chinese restaurant that has those chopsticks fonts written on the outside, that’s the Asian mimicry typeface I’m talking about.’
“I can’t get out of the habit of thinking of words, lines, and the spaces between as another kind of music.”
I am displaced from the place I have left and still disconnected to the place that I have moved into.
‘I think it’s a personal responsibility to seek complex narratives and dialogues that drill more critically in to Australia’s history as an environmental, colonial, immigrant, global and Indigenous space.’
Both heartbreaking and tender at once, Rainbow Chan's idiosyncratic brand of pop holds a mirror up to diasporic experiences, sharing personal tales of love and loss.
Rachel Tai speaks on being multiracial, insecurities and understanding the tanglement of being a person of colour with white privilege.
We talk to Anupama Pilbrow, who was successful in a curatorial takeover of the NIDA Melbourne studios for the upcoming event, NIDAnights: ITERATION with The Suburban Review.
We talked to Giselle Au-Nhien Nguyen, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
We talked to Lian Low, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
This year, Sydney Writers Festival explores the ways that writing can be used to deceive others in an increasingly post-truth world, look at the lies that we tell ourselves and each other, and those we collectively tell as a country.
Sumarlinah Raden Winoto reviews Krishna Istha’s Beast, now showing at Arts House as part of Midsumma Festival 2019.
Mapping Melbourne is our very favourite time of year! We’ve picked out our top ten events for you.
We’ve put together a quick list of must-see’s for this year’s MWF so you don’t have to sweat the details for your next night out.
Leah Jing & Rachel Ang have come together to bring you Comic Sans, a serialised collection of the best Australian comics artists working today.
