The Liminal Fiction Prize is a new literary prize for Australian Writers of Colour. With a theme of ‘the future’, we’re looking for fiction of a new world: not the stuff of flying cars or robots, but a future that pulls against or weaves together Australia’s many fabricated histories.
Looking back, I guess there is something endearing about being able to hear the imperfections that are derived from human performance.
Surviving as artists in capitalist, patriarchal, White Supremacy is made deliberately hard. Sometimes, the fact that you have lived another day is an achievement in itself.
Allowing my multi-disciplinary training to flow through me during the process but selecting what I wish to say with clarity has taken me many years of trial and error.
Growing up here in Australia as a person of colour, with both an African and Asian identity, I felt that no one understood my experience.
We talk to Anupama Pilbrow, who was successful in a curatorial takeover of the NIDA Melbourne studios for the upcoming event, NIDAnights: ITERATION with The Suburban Review.
We talked to Giselle Au-Nhien Nguyen, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
We talked to Lian Low, one of the first recipients of The Wheeler Centre’s Next Chapter Writers’ Scheme.
Mapping Melbourne is our very favourite time of year! We’ve picked out our top ten events for you.
We’ve put together a quick list of must-see’s for this year’s MWF so you don’t have to sweat the details for your next night out.
Leah Jing & Rachel Ang have come together to bring you Comic Sans, a serialised collection of the best Australian comics artists working today.
Whether it's people we should interview, artists we should feature or if you have some art you want us to celebrate, we want to hear from you! We're always on the look out for amazing people and welcome submissions from everyone.
