‘First and foremost, I bring my cultural contexts to my work. That’s why I put my cultural and religious identities in my biography, even though this may be seen as crass or too pointed.’
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‘I've seen a big shift in the way that people book female, gender-diverse and POC artists over the past few years in Sydney.’
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‘The cultural criticism I enjoy writing the most originates with a question or a concern that I’m unable to resolve.’
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‘When you make social or political work, you do it with the hope that it might contribute to changing the world in some small way, and so you are building the future.’
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‘I’ve come to appreciate that history and our collective capacities are as important as one’s own capacity.’
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I really do believe in art as a refuge.
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Looking back, I guess there is something endearing about being able to hear the imperfections that are derived from human performance.
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Surviving as artists in capitalist, patriarchal, White Supremacy is made deliberately hard. Sometimes, the fact that you have lived another day is an achievement in itself.
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‘Allowing my multi-disciplinary training to flow through me during the process but selecting what I wish to say with clarity has taken me many years of trial and error.’
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‘Growing up here in Australia as a person of colour, with both an African and Asian identity, I felt that no one understood my experience.’
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‘I have found stories and artefacts that have made a huge impression on me and changed my interpretations of history, but these pieces are always in fragments with uncertain degrees of ‘truth’ at their core.’
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‘It’s only been over the past couple of years that I’ve realised how white the radio landscape in Australia is.’
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‘A text speaks from a position of power, therefore reading representations based on assumptions and stereotypes are disempowering and upsetting.’
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‘Migration is seen as a non-asset or a burden. Yet if you think about it, people have come from all over the world and have contributed to who we are today.’
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‘There’s going to be a gap between your work and what you want your work to be: that’s fine, that’s how it should be. No one starts off at the top of their game.’
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‘You do what you can with what you have. But I think that if I had seen myself or someone who looked like me in any of these stories, it would have made such a difference in what I believed was out there for me.’
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‘Art and language are cultural products, and culture by definition is communal and cumulative—texts, too, have genealogies; they move beyond their makers.’
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‘Skin colour and background are irrelevant when it comes to an ability to write.’
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‘As a queer photographer, I’m acutely aware of the role that technology has played in inhibiting expressions of homosexuality...’
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‘I think there needs to be a much more nuanced conversation about silence, and all the invisible barriers that prevent all of us from speaking out. Why is it that the victim of violence is expected to speak out? Why not the people around who can see that violence is happening?’
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