‘Perhaps the moment-to-moment labour of crafting verse is not wildly dissimilar to the invisible quotidian acts of looking after those we love.’
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‘I fill in the silence with the voices who are familiar to me, the words of those in whom I see myself, signing towards an estranged wilderness that we call home.’
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‘What might it mean to acknowledge that this is the substance of the labour performed by many of us, those of us who aspire to do anything but?’
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‘Throughout her oeuvre, Kapil’s writing mutates beyond her initial idea; the trace of the act of writing and its metamorphosis is not erased in the final congealment of the book.’
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‘The difference between swimming and drowning, then, is to ignore your reflection in the water before you jump in.’
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‘The best literature complicates morality. Characters are flawed. The resolution is messy. What is lost cannot be redeemed.’
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‘We as minoritised folks more broadly want outsiders to understand: there are a hundred ways to be.’
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‘Cho offers a lesson in how to write alongside the void…’
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‘I realise that my mind, this same mind, will only ever produce the same insights over and over, with varying degrees of clarity, as if I were new versions of a smartphone each time.’
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‘Any faithful reading of Cahier requires attention to more than one thing that requires reiterating; the book is uncontainable.’
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‘Acknowledging that the ‘truth’ in nonfiction writing is tricky and inherently interpretable subtly undermines the rigidity of mainstream publishing where such books must fall into specific categories.’
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‘There are stories out there we don’t know we’ll love and I think it’s a tragedy. It keeps our worlds small.’
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‘The poem may be expansive, in the sense of an expanding empire, a grab for territory, but there is precious little joyous about it.’
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‘This book, with all its horrors, distance and intensity is also a device I use to work out who—or indeed, what—it is that I love.’
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‘I am coming out as someone who does not read to get ahead of the narrative. I am coming out as someone who does not read as himbo representation. I am coming out as someone who does not read as an act of radical vulnerability.’
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‘In Pessoa, the fragment is his refuge from the prosaic tenets of plot, performance and character. That temporary tinsel in the shop window becomes an after-image sought by the imagination and worked over by thought to re-enchant everyday life.’
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‘Literature isn’t so far from real conditions: it is part of the process of reinforcing, resisting and reifying conditions. This is where any idea of an artist, separate and at odds with their total environment, begins to break down.’
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‘Granted, Lin was ahead of his time, but there is no future here.’
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‘As Said helped us understand, representations don’t just allow us to think a certain way; they also give us license to act in a particular fashion. To lose a self-image, then, is to forfeit a specific mode of inhabiting and engaging the world.’
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‘In its own way, each episode of HHI is fraught with background, cloaking the exuberant desire that once motivated the hunters’ odyssey to the other side of the world in the mundane fabula of kitchen dimension, bathroom quantity, and work commute distance.’
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